Creative design of Chinese characters

The form of Chinese character design is a creative activity for mankind to achieve a specific purpose. It is a structural way of unifying the elements that constitute things and its expression. It is a product of the combination of human production and practice. The development of human civilization has gradually grown, matured and expanded.

1 The ideological connotation of Chinese characters

Based on the objective pictographic pattern, starting from the objectively constructed object image, the origin of Chinese characters is based on the “image” and is gradually formed into an ideogram by means of “find things”, “shape sound”, “knowing”, “transfer”, and “under the guise of”. Sexual, orderly, dynamic, functional, transcendence, ideological, symbolic symbolic visual system. Based on "idea" and "image", the unity of opposites between "heart" and "object", "empty" and "spirit", and "reality" and "delusion" is always used. , Include quiet. The positioning of emotions, the dynamic grasp, the characterization of images, and the interpretation of traits have created an agitation, exquisiteness, innocence, vividness, and splendid space-time effect. The sages searched for nature inspiration, imitated the changing forms of the natural world, and used imagination and freedom to create, simplifies nature as a line, expresses segmentation, stability, abstractness, diversity, and movement with flowing, jumping, and beautiful lines. The intrinsic and gestalt spirits are in search of balance and publicity in the idea of ​​natural boldness. From the perspective of visual perception, it expresses the ultimate concern for human beings. This is the ultimate factor in the creation of factors, and is the ultimate pursuit of emotion and charm. It is also the ultimate expression of the Chinese character design.

2 The dynamic system of Chinese character creation

Feelings of feelings, feelings of the road, profile images, and philosophizing of the philosophies, "meaning" is "meaning", and "likeness" is an environment outside China and an infinite environment. The proposition that “the image is full of meaning” has clearly illustrated the fact that “idea” and “image” are mutually satisfying conditions and are inseparable. On the one hand, they reflect the fact that “words are not conclusive”[1]. At the same time, he believes that "image" can be used to integrate ideas and objects as a whole, so that sensibility factors and ideal factors are merged with each other, fully embodying the creation of everything in heaven and earth, laying the foundation for the design of Chinese characters and even the East. The philosophical ideological foundation, objective observation and subjective experience are merged into one, with small metaphor, less total, simple lining, nearness and farthest, exploration, deep-reaching, and implicit expression. , People are exposed to the artistic image of individual performance in general, abstract representation of performance, unlimited limited performance, subjective abstraction of objective things, idealized performance and processing of perceptual things, so that true feelings flash in the form, and ultimately Break through the limitations of physical form to achieve the ultimate goal of Chinese character design. According to the selection of form, form of law, and shape of Yi Li, Chinese character design is a kind of visual art illusioned by line groups. Line arrangement has become a link language for Chinese character design. The bones are shaped like lines, resemble the shape of the gas, are guided by the line, and are enclosed in a limited line style, which ultimately shows an infinite aesthetic appeal. The young, mysterious, full of ancient rhyme, knife carved Oracle, fine strokes, round molding, change the bronze text of the embarrassment; steady posture, knot full, innocent woody books; handwriting is beautiful, clear and elegant, very rich Rhythm of the Qin Xiaoxuan; silkworm head swallowtail, or stretch, or bend, or shift the grid of the Han Lishu; Xiongqi position, rough and wide Kuan, neat and tidy, with a strong visual impact of the Northern Wei stone carving; modeling, solemn majestic It is a deep, heavy, irreplaceable Tang dynasty script; it has a variety of shapes, strokes, liveliness, leaping, rhythm, rhythm, and cursive strokes; horizontal and vertical strokes, steady, quiet, graceful, and elegant. , full of elegant and artistic charm of the old Song type; Founder structure, equal width strokes, people appreciate the solemn and generous, plain and eye-catching, bold and rules of the big black body; stroke structure straight inside, full layout, full of pictures, modeling Strong block shape makes the fonts suitable for the artistic expression of flexibility and rationality. Information. It provides us with a typical design. The construction of fonts is good and pleasing to the eye. On the contrary, it blurs the impression. Therefore, in the design of Chinese characters, we must profoundly seek out, constantly modify, and consider repeatedly, and combine the external forms and design styles in a harmonious combination, or gather or loosen together, or stand alone or back, or symmetry or equilibrium, or reconciliation or contradiction. Two-dimensional continuous image group. The vision is gradually broadening, the thinking is gradually becoming active, the means are gradually varied, the imagery is gradually clear, the pursuit is gradually realized, and the Chinese character design interprets the “God and Meaning” of the font art with its non-objective writing form. "Rhyme" and its innate "emotion, taste, potential, and sentiment", the creation of law, and the establishment of potential promote the construction of "God" and "Italian", and the secret "expression" changes, giving it The form of beauty, the laws of beauty, and the feelings of beauty. The beauty of design is still based on the goodness of the form and the sympathy in the form. The idea of ​​design is grasped by the ideas of alum and logic, so that the information is disseminated in a fashionable style and a kind of crystallization, standardization, The serial structure of the structure of the smart penetration. No matter whether it is small or small, it is infinite, the imagery carries the event nature of Chinese character design. It allows the communication to be time-varying, integrates in the concept, establishes in the law, understands the charm, expresses the meaning in the form, and expresses the meaning of the Chinese character. Symbolization, the paradigm of language images. It runs through the creative process of the entire design system, highlighting the designer's creative thinking, thinking and interesting, as well as profound cultural heritage.

3 Visual Presentation of Chinese Character Creation

The stability of Chinese character modeling, the accumulative nature of Chinese character modeling, the inheritance of Chinese character modeling, the profoundness of Chinese character modeling, the extension of Chinese character modeling, and the super-rationality of Chinese character modeling have long become important symbols for human material culture. It is guided by a certain practical concept, with the overall layout as the main body, and with the graphic creativity as a center, to enrich and shape a good visual image and express its inherent quality and artistic characteristics. As an example of the Beijing National Musical Instrument Factory designed by Senior High School Mr. Yusei [2], the whole logo uses the traditional “Music” of Chinese characters “Music” to combine the forms of the musical instruments such as cymbals, flutes, cymbals, and drums, and summarizes the operation of the musical instrument factory. Features. In Chinese culture, the word closest to beauty is the word "jo". Music is moving in response to things, and sounds in response. The "musical and unpleasant" music can make people feel good and happy. The generalization and integration of music not only express the pleasure of hearing but also the pleasure of sight, taste, smell and skin. It is also practical. Functionality and religious mystery. Tones are the ways of nature, which are empty and round, invisible but can affect people's inner feelings quickly and accurately. They are appealing to emotions, reflecting the condensation of God, emotion and temperament of objective things. "Five colors are blindingly" due to the transformation and evolution of the "god" and "qi" of the ancient cultural spirit, which has caused a drastic change in people's cosmology and world outlook. The Chinese people's psychology has become an overall functional psychology. "It should be a sense of God, God supernaturally." In real life, music has become an important medium for people to express their psychological pleasure in communication. "Fuzheng exercises, to make all the mountains sound" music has become the main component of Chinese aesthetic culture, music rhythm, pitching and retreat, delay transitions, paragraph levels are all embodied, and maintain the harmony of the entire society. "The sum of the heavens and the earth" - this is "music". The melody of the tune, often in harmony with the literary genre, is the most auspicious place to be accompanied by the pleasure of music, a common expression of life. Based on the root of traditional culture, designers have grasped the image characteristics of “music” and made the logo have a strong visual impact and a unique aesthetic form. The words are also shaped, shaped, conveyed to the gods, according to the refining of the shape, the edge of the word for shape, with the meaning of the word, as if people are placed in a spring breeze of the night, looking at the sky washed by the moon, calm, quiet understanding With its fascinating and subtle tones, it is both visible and tangible, and can be clearly heard. It fully explores the profound connotation of the Chinese characters “乐” and uses the meaning of the word “乐” to convey the deep knowledge of the national instrumental music culture. Thick, its creative interests can be described as unique, Pu Hua Chao Yu, thought-provoking, can prepare a style, with a strong human touch, in the visual and emotional easily resonate with the audience, to achieve good communication.

Imagery is exquisite. As an organic whole concept, Chinese character design contains infinitely rich aesthetic implication. It is implicit but not visible. It is neither constrained by its form, nor is it interesting for its expression. Constrained, there is a strong non-certainty. Taking the school emblem of the Beijing Arts and Crafts School as an example, the main figure uses the words “beautiful” and crossed hands to form an image that vividly and accurately portrays the essence of beauty. "Shuo Wen Jie Zi" said "The United States, Gansu, from the sheep, the sheep in the six animals, the main diet." China entered the animal husbandry society, the first is to start from the sheep, the sheep are sweet, so the big sheep for the United States In ancient China, people’s pursuit of “beauty” was based on the will of life as its value. It cares about the appearance of man’s life force, the harmony between man and nature, and man, and links beauty with the body of life. In order to achieve a kind of "spiritual harmony, qi, harmony, political harmony," the supreme spiritual enjoyment, people's pursuit of beauty from subconscious to conscious, from the practical function into the pursuit of aesthetic and practical efficiency of the unity. "Chen Huai taste" through the understanding of the United States, reached the real power of the cosmic atmosphere and the rhyme of things. From the source of this collection of beauty and beauty, it can be seen that the source of beauty lies in eagerness to express life and praise. In addition, the combination of rich and subtle expression "hands" means metaphorical display and communication, and it also represents a state of mind, which appropriately renders the artistic features of beauty.

4 Conclusion

Meaning and image harmony, in the words of the soul, the meaning of meaning is the widest, which is the knowledge of the heart. It is a measure. It includes not only the heart but also the feelings, the movement of the heart, and the sentiments of the mind. Like a holistic perception, emphasis is placed on emphasizing the unity of emptiness of all things. “Peeping intently and conveying a lot of weight”, imagery, as a kind of condense of emotion and beauty, makes a rich interpretation and observation of Chinese character design. The free-running point, line, and face composition, the smooth rhythm of the rhythm and the juxtaposition of the rhythm of the rhythm, are all unbridled, and open the world of things, the passage of God, to make reality and fantasy, subjective and objective, truth and illusion get to the extreme The publicity and isomorphism. The ontology of "imagery" originates from aesthetics. The structure of "imagery" originates from the unity of "form" and "content". The creation of "imagery" originates from the contradiction between the mind and the object. The virtual association of imagery stems from the author's creative ideas. . By practicing the passion of history and grasping the pulse of the times, today's expressiveness in the design of Chinese characters has undoubtedly the readable, serial, scientific, standardized, and moderately readable information, form observability, and ideology in the informatization and digitization. The depth of culture. Different from one, different from the other, strengthening the accumulation of heavy traditional cultural literacy, and paying attention to the injection of image interests, in order to create an elegant design with the national "Tao device" context.